Talent Show

I am feeling excited for common cathedral‘s talent show this week, although a bit nervous to see how it goes, since there are many unknowns: whether or not everyone who signed up will show up, how big the audience will be, if the tech that people need for their acts will work or malfunction, and any other number of things I can’t predict. I am trying to practice flexibility and trust myself to respond to whatever comes.

I am thinking of my role for this project as something like “therapeutic stage manager”,  someone whose job is to offer containment for the performances both on a technical/logistical as well as emotional level. I have already had a few conversations with some community members who expressed some anxiety about their performances and have tried my best to offer reassurance and solutions to their concerns. I also am planning on introducing and closing the show. For the closing, I plan to do a “fill-in-the-blank”-style poem using suggestions from the audience, which would reflect on themes and inspirations they took away from the performances. I am hoping that this would provide the participants with a sense of being seen, appreciated, and connected with one another.

I am also enjoying thinking of the talent show as a sort of assessment tool, a way for me to get to know these community members more deeply and see where their unique strengths, topics of interest, and creative capacities lie. I am hoping that what I observe will give me further insight into how I could continue to use the arts to engage this community with things that are important to them.

Colorful common-art session in our Parish Hall

Trading Cards

This week I really felt my growth as a facilitator. Over this past year I have worked on building my confidence and my ability to identify what art activities will be well received by the community. While I can come up with many ideas of art to make, not all of them are going to be of interest to the artists. So, in order to lead a successful art-making idea I need to have built my own confidence as well as an understanding of what the community enjoys. I also need to know what small challenges could be embraced.

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Biblical Marriage

Epiphany 2C, 16 January 2022.  The Rev. Pamela L. Werntz

Isaiah 62:1-5 . For the Lord delights in you and your land shall be married….So shall your God rejoice in you.
1 Corinthians 12:1-11. Now there are varieties of gifts…of services…of activities…for the common good.
John 2:1-11. The first of his signs…revealed his glory…his disciples believed in him.

O God of Justice, grant us the strength, the wisdom and the courage to seek always and everywhere after truth, come when it may, and cost what it will.


The readings appointed for the second Sunday after the Epiphany in the third year of our lectionary cycle always provoke a rant inside my head that threatens to come out in the pulpit in an Andy Rooney style of commentary (for those of you of a certain age). But it’s not a rant about the lectionary (this time). This time it’s a rant about biblical marriage. Now if I asked random people walking up Newbury Street what the definition of biblical marriage is, I feel confident that, no matter what their religious background, most would respond with some version of one man and one woman. They probably wouldn’t know that marriage descriptions in biblical times, which span more than 1,000 years, differ widely (and even wildly) in terms of expectations:  of polygamy or monogamy; parent-arranged or husband-initiated; endogamy or exogamy (that is, within one’s clan or outside of it); the obligation for a man to marry his brother’s widow; not to mention the estimations of perceived time until the end of the world. There are also major considerations and differences in the Bible when it comes to property, procreation, strategic political alliance, and divorce. A man “taking” a wife literally means procuring, buying, and the acquisition is called betrothal. And Paul writes to the church in Corinth, “Now to the unmarried and the widows I say: It is good for them to stay unmarried.” Continue reading

Farewell, Amanda!

This week at common art we had another staff member leave us. This was Executive Director Amanda Grant-Rose’s last week. On Wednesday at a big celebration in her honor many of our community members gave speeches and goodbyes. It was wonderful to hear everybody share stories about what an impact Amanda had on their lives over the seven years she worked here. This experience made me think more deeply about how we can influence each other’s lives and my own role here at common art. Two weeks prior we had lost our barista. I spoke a little bit in my previous blog post about the effect this loss has on the community. Both he and Amanda played big rolls in the lives of our community for the years they were here.

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Spring forward!

Over the last few weeks, the changes in the weather as we usher in spring have felt in line with exciting changes at common art. While there have been some difficult transitions, many of these changes have been welcomed as we continue to evolve common art with current Covid-19 guidance. Community leaders have begun discussing ways that we can safely begin to reintroduce some of the art materials like the beloved acrylic paints or beads into the rotation. Additionally, we are once again evaluating the number of community members allowed in groups at a time and the safe distance between our seating arrangements. It’s been quite exciting to imagine the possibilities and see the collaborative process unfold between common art staff, community leaders, and interns to find creative solutions to keep evolving the programming. Additionally, more community members continue to receive their first and second doses of the vaccine.

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Engaging with the Community

Isabelle Olsson

In the last few weeks, as crisp breezes have brought way to the bright colors of falling leaves there has been a lot of change in the air especially at Common Art. While group members have continued to adjust to the altered art materials and structure due to pandemic related protocol, Common Art has also been blessed with wonderful changes including new staffing and interns! Nevertheless, with all  these changes afoot I have noticed a lot of anxiety amongst group members especially about the upcoming winter and presidential election. After all, change can be quite difficult and, as a group, they have experienced quite a lot of trauma. All of these changes left me feeling inspired when it came time to bring my first activity to the group. Finding my theme in the many changing leaves I began to see each morning I came up with the idea of doing leaf rubbings with group members using various leaves I collected and colored pencils. My hope was that in creating beautiful prints of the leaves we could all take a moment to enjoy the meditative process of rubbing the leaves and appreciate the beauty in this part of something that is a change…and of course to tap into some of the group’s noticeable fall festivity!

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LOL

Well, it’s official: I have one “Laugh Out Loud” (my current code word for “drama therapy”) session under my belt, and I don’t think I’m speaking out of line to say it turned out pretty well. Part of me thinks it’s silly to feel accomplished after playing some theater games in a church basement with a few volunteers, but I also understand that it’s more than that—just because I enjoy playing games and feel natural being silly doesn’t mean it’s not an accomplishment to help others do the same. Beyond that, I was genuinely impressed with the volunteers’ creativity and willingness to “buy into” the games.

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2018

Emmanuel House, home to a small intentional community, was created by the Charles River Episcopal Co-Housing Endeavor (CRECHE) with funding from our diocese’s Together Now campaign.  As Executive Director of CRECHE, The Rev. Isaac Everett (above right) serves at the altar and in our pulpit from time to time. They rent from our diocese the former rectory of St. Luke and St. Margaret at Packard’s Corner, Allston.  Learn more about the intentions of Emmanuelites who live there on their website.

September.  The Rev. Susan Ackley joined us while our rector the Rev. Pamela Werntz took sabbatical leave.  In addition to preaching and provided pastoral care, she was instrumental in creating a weekly Recovery Eucharist held in Lindsey Chapel.

hamsa palm

Digits of the hamsa signify generosity, strength, replenishment, blessing & well-being.

The theme Pam chose for her sabbatical was exploration of the hamsa, a palm-shaped symbol used by Muslims, Jews, and Christians, also known as the Hand of Fatima and the Hand of Miriam. She visited Istanbul, Vienna, and Andalusia in search of its depictions.  We also used it for our stewardship campaign.

2009

PL WerntzOur vestry called The Rev. Pamela L. Werntz to be our twelfth rector.

 

bishopblessing253

 

 

 

 

The Rt. Rev. Gayle Harris blessed our new garden.

 

 

 

Brett Cook and others in Durham NC completed the installation of Face Up:  Telling Stories of Community Life, which includes five murals picturing The Rev. Dr. Pauli Murray. Installed at 117 S. Buchanan Blvd. is “Soul Roots” with an inscription from Proud Shoes:  “It had taken me almost a lifetime to discover that true emancipation lies in the acceptance of the whole past, in deriving strength from all my roots, in facing up to the degradation as well as the dignity of my ancestors”.

1892

Rector Leighton Parks reported in the Year-Book of Emmanuel Parish that the number of communicants had grown during his tenure of fourteen years from 210 to 500. He expected the Sunday school, which had 75 children when he arrived, to reach 300 children by the year’s end.  Expressing concern for expansion of the church’s facilities to accommodate this growth, he had asked the Vestry to investigate buying land west of the City for a new church.