The Harvest of Righteousness

Advent 2C.  19 December 2021. The Rev. Pamela L. Werntz

Baruch 5:1-9 Take off the garment of sorrow and affliction and put on the robe of righteousness.
Phillipians 1:31-11. And this is my prayer, that your love may overflow more and more with knowledge and full insight to help you to determine what is best, so that in the day of Christ you may be pure and blameless, having produced the harvest of righteousness that comes through Jesus Christ for the glory and praise of God
Luke 3:1-6 All flesh shall see the salvation of God.

God all merciful and all compassionate, grant us the wisdom, the strength, and the courage to seek always and everywhere after truth, come when it may and cost what it will.


As I said last week, Advent is a season for communal and institutional reflection and repentance, for collective atonement and reparations. Our readings for this second Sunday in Advent are so full and big with calls for repentance and reparations; it is almost as if they are pregnant with possibility. The prophet Baruch and the evangelist Luke are both reminding their hearers about the words of the prophet Isaiah. And Luke draws a picture of John the Baptist that is just like the prophet Jeremiah, consecrated before he was born, and just like Elijah by the Jordan in the wilderness. Luke also has already explained that John’s work was so closely related to Jesus’s work, their purposes were so akin to one another, that it was as if they must have known one another before they were even born. Continue reading

2021

  • 1 Jan. Orbis Books published When Tears Sing: The Art of Lament in Christian Community by our 11th rector, The Rev. Dr. William Blaine-Wallace.
  • 21 JanBoston Sun article by Seth Daniel, “Made for This Time: Surprisingly Emmanuel Church Was Engineered for COVID-19”, discussed the efforts of Michael Scanlon and Julian Bullitt to monitor air quality throughout our building, which was designed in the time of tuberculosis.
  • March.  The Rev. Tamra Tucker and our rector formed two mixed groups of parishioners from common cathedral and Emmanuel to follow The Episcopal Church’s Sacred Ground dialogue series on race and faith.
  • July 29.  Kevin Neel retired as organist and parish administrator par excellence.
  • 26 Sept. We celebrated the retirement of Pat Krol, who had served as Executive Director of Emmanuel Music and greeter since 2006.  We funded the cantata and dedicated in her honor these doors, which she held open every Sunday while our choristers and liturgists to processed into the Sanctuary.
  • 31 Oct.  Memorial service for The Rev. Dr. David J. Siegenthaler (1926-2020), former priest in charge, was held in our well-ventilated sanctuary.  After leaving Emmanuel, Dr. Siegenthaler had served as rector of St. John’s Episcopal Church, Duxbury MA, and then as archivist at the Episcopal Divinity School, where he taught for four decades.

2019

29 January.  We celebrated John Harbison‘s 80th birthday in our Parish Hall with some of his jazz songs, a piece composed by Michael Gandolfi with libretto of Lloyd Schwartz‘ selections from John’s recently published book What Do We Make of Bach, and a tower of cupcakes wheeled in by Pat Krol, Executive Director of Emmanuel Music.

John Harbison at the piano provided by M. Steinert & Sons with Don Berman, Lynn Torgove, Pat Krol, and singers of Emmanuel Music.

  • Thanks to a generous grant from the City of Boston’s Community Preservation, Commission restoration work on our Newbury St. façade began under the direction of Vestry member Peter K. Johnson.  The multi-year project involved repair and refinishing of five sets of doors with their tympana, masonry work for our central entrance and several staircases, and roof work to prevent ice dams.
  • cover of book on Bach

    Craig Smith directing our orchestra with Lorraine Hunt Lieberson on viola; Don Wilkinson, Paul Guttry et al. in the chorus.

    Pendragon Press published Bringing Bach’s Music to Life, a compilation of Craig Smith’s program notes for 24 cantatas, edited by Pamela Dellal, in its series of Monographs in Musicology.

2007

Nov. 14.  Craig Smith, our music director and founder of Emmanuel Music, died.  Richard Dyer wrote an obituary for Emmanuel Music.

Piano collector Hu Youyi purchased our Casavant organ and shipped it to the Organ Art Center on Gulangyu Island, Fujian Province, China, where it was restored by Rieger Orgelbau and installed in a concert hall (above) in 2017. See also the record for Opus 700 in the Pipe Organ Database.

 

 

 

2006

  • July 3. Mezzo-soprano Lorraine Hunt Lieberson died.
  • Pat Krol arrived from the Boston Symphony Orchestra to become Executive Director of Emmanuel Music and an ex-officio member of our vestry.
  • Parish Administrator Kelly Reed hired Sid Richardson as the youngest of several event sextons.
  • Fences designed by David Polando were installed by DeAngelis Iron Work with funding from the Edward Ingersoll Brown Fund and the City of Boston.hardscapeMeditationWest253

 

1988

  • June.  Organist Michael Beattie joined Emmanuel Music for rehearsals in our Music Room of Peter Sellars‘ version of Mozart’s opera Le Nozze di Figaro, which played that summer in the PepsiCo Theater in Purchase NY.  Craig Smith conducted; Frank Kelley sang the part of Basilio; Jayne West, the Countess; and Susan Larson, Cherubino.
  • In her “Peace Pentecost” sermon at our Cathedral Church of St. Paul, poet Denise Levertov (1923-97) emphasized the connection between contemplation and action:  “If we neglect our inner lives, we destroy the sources of fruitful outer action.

    Thanks to U. of California Press for this image.

    But if we do not act, our inner lives become mere monuments to egotism.” At Emmanuel she founded a Peace Group to foster the links between spiritual thought and action among her fellow parishioners.

Earlier in the decade she had been attracted to Emmanuel by our social-justice activities, beautiful music and liturgy, and rector Al Kershaw, who counseled her.  “He assured her that doubt was part of spiritual growth and the darkness she encountered might increase her sense of dependence and lead her to God,” says her biographer Dana Greene citing Denise’s diary entry for June 13, 1988.

Denise’s father, Paul Philip Levertoff (1878–1954), born in Belarus, an early proponent of Messianic Judaism, took holy orders in the Anglican Church and preached wearing an alb with a tallit and kippa.

The Rev. Paul Philip Levertoff

In 1922 he become director of what is now the London Diocesan Council for Work among the Jews and edited its quarterly journal, The Church and the Jews. He was a prolific writer on theological subjects in Hebrew, German, and English and translated into English the Midrash Sifre on Numbers (1926) and the Zohar  (1933).

See also:

  1. Dana Greene.  Denise Levertov:  A Poet’s Life.  Urbana IL:  U. of Illinois Press, 2012.
  2. Denise Levertov.  Making PeaceBreathing the Water.  NY:  New Directions, 1987.
  3. Donna Hollenberg.  A Poet’s Revolution: The Life of Denise Levertov. Berkeley: U of California Press, 2013.
  4. Paul A. Lacey and Anne Dewey, eds.  The Collected Poems of Denise Levertov.  NY: New Directions, 2013.
  5. Paul Philip Levertoff. Love and the Messianic Age.
  6. Timeline: 1994

 

1976

  • 27 Jan. Craig Smith & Edward Simone conducted a free concert in celebration of Mozart’s 220th birthday.  With standing-room only in our sanctuary, soprano Jane Bryden brought the house down with Popoli di Tasaglia (K.318), which Globe correspondent Richard Buell deemed “flabbergasting [and] insouciant”. They celebrated Mozart’s birthday with a concert for years to come.

  • Pauli Murray received a Master of Divinity degree from General Theological Seminary.  She was then ordained a deacon in The Episcopal Church by The Rt. Rev. Morris F. Arnold, Suffragan Bishop of Massachusetts.

  • The Episcopal Church, at its General Convention in Minneapolis, voted to ordain women as priests, beginning January 1, 1977.

1909

  • Thanks to the late Craig Smith for this image of Priscilla as a girl, c1915.

    7 May.  Benefactor of our cantata program, Priscilla Rawson (Young) was born in Bayside, NYC to Clementine Herschel of Holyoke MA & Hobart Rawson of Cincinnati OH. She was named for her Mayflower ancestor Priscilla Mullins Alden, who in turn was the namesake of Priscilla, now thought to have been the amanuensis of Paul the Apostle and author of the Epistle to the Hebrews [1].  See also 1939, 1942, 1971, 1973, 1994 & 2000.

  • Elwood Worcester and Samuel McComb published The Christian Religion as a Healing Power: A Defense and Exposition of the Emmanuel Movement (NY: Moffat, Yard), full text.  It is an addendum to their Religion and Medicine:  The Moral Control of Nervous Disorders (NY: Moffat, Yard, 1908), full text.
  • Parishioner Ernest Jacoby started a group for alcoholic men with special emphasis on fellowship as a path to recovery.  It eventually moved from our basement and continued into the 1930s as the Jacoby Club.  The first meeting of Alcoholics Anonymous in Boston was held in 1940 at the Club, then at 115 Newbury Street.
  • Entrance of the Museum of Fine Arts, Boston

    The first section of parishioner Guy Lowell‘s design for the Museum of Fine Arts was completed. Lowell (1870-1927) also designed the Charles River Dam (built in 1910) and the Esplanade from the Charlesgate to the dam.  For more about him and his other architectural achievements, please see Wikipedia.

 


 

 

1. Ruth Hoppin, Priscilla’s Letter: Finding the Author of the Epistle to the Hebrews. Ft. Bragg CA: Lost Coast Press, 2000.