Tag Archives: jazz

1974

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  • The Rev. Dr. Mark Harvey began his jazz ministry and founded the Jazz Coalition (later the Aardvark Jazz Orchestra), which sponsored concerts, liturgies, and festivals here over the next four decades.  See also his Timeline of Jazz @ Emmanuel.
  • March 3.  As our sponsored seminarian, Pauli Murray preached from our pulpit her inaugural sermon on a passage she had selected (Isaiah 61: 1-4), entitled ” Women Seeking Admission to Holy Orders: As Crucifers Carrying the Cross”.* Saying that Emmanuel “sent me forth as a member of your congregation with your blessings and prayers to begin my training for the Sacred Ministry”, she asked:

Why in the face of the devastating rejection at the Louisville General Convention of last October, 1973–a rejection which Bishop Paul Moore of NY has called the violation of the very core of their personhood–[have the women seeking ordination to the priesthood] only increased their determination to enter the higher levels of the clergy?

Then paraphrasing Isaiah 53:3, she prophesied:

I believe that these women are in truth the Suffering Servants of Christ, despised and rejected, women of sorrows and acquainted with grief.  They are answering to a higher authority than that of the political structures of our Church, and in the fullness of time God will sweep away those barriers and free the Church to carry forward its mission of renewal as a living force and God’s witness in our society.

* Reprinted in Daughters of Thunder:  Black women preachers and their sermons, 1850-1979, Bettye Collier-Thomas (NY: Jossey Bass, 1998),  pp. 240-44.  Please see also About Pauli Murray and our Timeline entries about her:  1951,1970, 1973, 1977, 1985, 1987, 2012 & 2015.

1969

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EllingtonConcert_of_Sacred_Music

Thanks to Radio Corporation of America for use of this image.

  • J. Barkev Kassarjian joined our vestry.  His wife Mary Catherine Bateson gave birth to their daughter Savanne (Vanni) Margaret, who was baptized here.
  • April 20.  Edward Kennedy “Duke” Ellington‘s Second Concert of Sacred Music, sponsored by the Episcopal Chaplaincy at Harvard and Radcliffe, was performed for a large audience in our Sanctuary with our ninth rector, The Rev. Al Kershaw presiding.  Please see Wikipedia for information about this and Ellington’s other sacred concerts.

See also Timeline entries about Kershaw: 1956, 1963 & 1966.

1966

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Jan. 14.  The Rev. Alvin L. Kershaw served as master of ceremonies for the first  Boston Globe Jazz and Blues Festival, held at the Boston War Memorial Auditorium (now the Hynes Convention Center).

April 24.  More than 500 people attended a jazz service with Al Kershaw presiding.  Trumpeter Herb Pomeroy and his sextet played saxophonist Edgar (Ed) Summerlin‘s “Liturgy of the Holy Spirit”, with text based on the Eucharistic Prayer of Hippolytus (c. 217 CE) and adapted by the New York poet William Robert Miller.

See also Timeline of Jazz @ Emmanuel & this Timeline’s entries about Kershaw: 1956, 1963 & 1969.

The Rev. Al Kershaw & Dizzie Gillespie. Thanks to MetroWest Daily News for this image.

1956

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The Rev. Alvin Louis Kershaw‘s album Introduction to Jazz was released by Decca Records.  According to the guide to his papers donated by his widow Doris to the U. of Southern Mississippi’s McCain Library and Archives, the University of Mississippi (Ole Miss) had invited him to speak in February 1956:

on the subject of jazz, an area in which he was considered something of an expert. In the meantime, [he had become] a contestant on the television quiz show The $64,000 Question, where his expertise in the field of jazz helped him to win $32,000. In an interview after the program, he alluded to the possibility of donating a portion of his winnings to the National Association for the Advancement of Colored People (NAACP) to aid in the battle against segregation. When word of this reached Mississippi, the Rev. Kershaw became the target of a firestorm of criticism, which eventually led to cancellation of his scheduled visit to Ole Miss.

Our archive has a copy of the record, which contains “Selected recordings of great jazz stylists, with historical data and musical analyses” and these tunes:

  1. Snag it (King Oliver’s Savannah Syncopators)
  2. Wild man blues (Johnny Dodds’ Black Bottom Stompers)
  3. I’ve found a new baby (Chicago Rhythm Kings)
  4. Tin roof blues (New Orleans Rhythm Kings)
  5. Davenport blues (Adrian Rollini’s Orchestra)
  6. The blues jumped a rabbit (Jimmy Noone’s New Orleans Band)
  7. Five point blues (Bob Crosby’s Bob Cats)
  8. Perdido Street blues (Louis Armstrong)
  9. Georgia cake walk (Art Hodes and his band)
  10. Impromptu ensemble no. 1 (Bobby Hackett et al.)
  11. Tishomingo blues (Bunk Johnson)
  12. Chimes blues (George Lewis and his Ragtime Band).

Introduction to Jazz

 

See also Timeline entries:  1963, 1966, 1969.